I could not tell you what any of that means and the cutscenes do little to illuminate as half of them are Grave walking up to a door, looking incredibly angry with his side-parted long black hair, dressed fully in leather, and opening said door. In a sense, Gungrave G.O.R.E is the finalisation of the seed story arc and the culmination of Grave’s story since the real super villain is finally revealed and defeated. The common thread between the games is the seed and the relationship between Grave and Mika. The previous games do not have to be played to experience G.O.R.E, although certain established concepts might take some getting used to by newcomers, especially revolving around the seed.
I’ll let the promotional material clarify the story:Įach Gungrave game has its own enemy/evil organisation, so each of them are self-contained revenge stories. Included is a photo for reference because, apparently, people don’t know who Peter Steele is. There is this guy called Grave – looking like if Peter Steele, of goth metal band Type O Negative, was brought back to life and a bit moodier – who walks along and makes things blow up. So, what is Gungrave actually about? I am glad you asked because I am still trying to figure it out myself. Had I known that the very thing I am sitting on as I write this might erupt in flames and kill me, I would not have been so cavalier in carrying it up the steps when I moved in. Gungrave G.O.R.E (from now on referred to as Gungrave) gave me a newfound respect for seemingly innocent everyday items. Here is a list (which is not exhaustive) of things I have seen explode in Gungrave G.O.R.E.: Cars, trucks, computer monitors, mechanical cranes, barrels, neon signs, crates, red boxes, chairs.
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